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Soundiron Phonautograms v2 0 KONTAKT [oddsox]

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Description

 							
  
  
  Phonautograms is a unique vocal instrument with a rather remarkable pedigre:
chromatically sampled vocal sustains captured over 150 years ago. This original method of recording, called
‘Phonautography’ was invented in the early 1850s, by French inventor Édouard-Léon Scott de
Martinville. The sounds were captured by projecting the voice and other sounds into a cylindrical horn attached to a
stylus, which in transfered the vibration into lines over the surface of oil lamp soot-blackened sheets of paper. These
raw archival recordings were preserved by the French Academy of Sciences and finally decoded by First Sounds with the
help of laser scanning equipment at the Lawrence Berkeley National Laboratory.
  
  We chose one of the very
earliest human sound recordings - a simple vocal scale sung by Martinville himself in a recording called Gamme de la
Voix (or "range of voice"). We then hand-crafted each of these samples by splicing, editing and manipulating raw sound
into a fully playable chromatic solo vocal instrument. But that's just where we started. Next, we took that modified
sound and warped it beyond all recognition using a variety of DSP and sound design techniques to create a diverse and
compelling range of different ambient soundscapes, sonic textures, tonal pads, synths, atmospheres, drones and
resynthesized drums.
  
  Special thanks to First Sounds, an informal collaborative of audio historians,
recording engineers, sound archivists, scientists, individuals and organizations who aim to make mankind’s
earliest sound recordings available to all people for all time. First Sounds was founded in 2007 by David Giovannoni,
Patrick Feaster, Richard Martin and Meagan Hennessey.
  
  The 1860 recording we chose for this library
features a D major scale being sung by a single voice, believed to be that of the inventor Édouard-Léon Scott de
Martinville himself. The original capture left the pitch one octave too high, giving the resulting timbre a female vocal
quality. The newer version was translated at the proper original pitch, revealing the singer to have been a man. We used
both audio files to give us a full two octave range of notes to work with.
  
  You’ll notice that the
uncanny distortion of pitch, smearing of tone and significant loss of acoustic information creates a ghostly warbling,
almost weeping quality, somewhere between a voice and a strange woodwind-like sound, possessing a frail and innocent
affect. It reminds us of the humble beginnings that our modern audio-visual media has grown from and ever-increasing
power to share and explore music and sound that modern technology has given us.
  
  We began with the
individual notes that we were able to isolate from the source and loop to allow sustained playing. Our goal was to
preserve the character and qualify of the sound just as it was for the main "Gamme de la Voix" sustaining vocal
instrument. We then branched out widely, using all of the modern sonic manipulation tools at our disposal to craft 31
unique ambient synths, pads, drones, atmospheres and soundscapes as well as 41 electro drum kit sounds, including kicks,
snares, hats, fx and more. This new content is totally unrecognizable from its humble origins, but the old soul of the
sound somehow seems to carry through.
  
  The original version of this sample library was published in 2010
by Tonehammer. In this new version, we've vastly expanded the features and content, with nearly 200 MB of newly created
ambient and percussive sample content, full user interface and performance controls and our custom DSP effects rack for
the Kontakt presets. We've also expanded sfz format support for this library, so everyone can enjoy this cool piece of
modified sonic history. Existing owners of any version prior to 2.0 can email us for the low cost upgrade option to get
all of the new content and features.
  
  "Gamme de la Voix" Sustaining vocal instrument
  Phonambiences:
31 sytnhs, soundscapes, atmospheres, pads and drones
  Phonautogram Drums: 41 percussive hits & FX
 
Custom Kontakt GUI with automatable controls
  Custom Kontakt DSP Mulit-Effects Rack
  Custom SFZ GUI with
automatable controls
  
  Specifications
  
  107 Samples
  278 MB installed
  3 Kontakt
.nki instrument presets
  3 .sfz instrument presets (universal format)
  31 ambiences
  41 percussive
sounds
  16 bit / 44.1kHz & 48kHz uncompressed PCM wav samples
  Unlocked Kontakt presets and wav samples
to allow user customization
  Documentation
  
  Click here for detailed pdf user manual
  System
Requirements
  
  The full retail version of Native Instruments Kontakt version 5.1 (or later) is required to
use .nki instrument presets included in this library. The free Kontakt "Player" and "Add Library" import process do not
support this standard open-format Kontakt library. Windows XP or higher. Mac OSX 10.6 or higher. Dual Core CPU, 1 GB
System Ram, SATA or SSD hard drive recommended for this library.
  
 
http://soundiron.com/products/phonautograms 						

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